Kleerup

» Kleerup is Spin’s Pick Of The Week

Mark Hoppus from Californian Punk band Blink-182 has picked our Kleerup for a feature in his regular feature in Spin Magazine!

“I really like the minimalist approach that he uses with the programming. It’s really beautiful. It’s something that really reminds me of late nights. He does a lot of collaborations with female vocalists, and I think the female vocalists that he chooses have very unique voices and it makes the tracks even more ethereal and more dreamy.”

Read more online here: http://www.spin.com/articles/mark-hoppus-pick-week-kleerup

» Review: XLR8

“Lykke Li collaboration “Until We Bleed” is a melancholy delight, and even when the tempo picks up on upbeat instrumentals like “Thank You for Nothing” and “Tower of Trellick,” the music’s polish and restraint maintains a vibe that is almost pastoral, a welcome respite in this age of buzzing bangers.”

Read the full review here

» Review: Spin

“His neoclassical melodies feel warm and full of blood, his keyboards weep where others bleep, and he puts so much skillful passion into female vocal showcasing that the tracks on his solo debut are consumed by a yearning for companionship that’s only shaken momentarily (on the resigned “On My Own Again,” which he sings). Still, “With Every Heartbeat,” featuring Robyn, remains a monument of devastation, while “Longing for Lullabies,” sung by Titiyo, sends a postcard from the ruins.”

Read the full review here

» Review: Towleroad

“So, was it worth the wait? Hell to the yes! He’s surrounded himself with vocals from the brightest lights in the Norwegian skies, including Robyn (the ecstatic “With Every Heartbeat”) and Lykke Li (the sinister “Until We Bleed”), as well as voices lesser known to American ears such as Marit Bergman (“3AM”) and  Neneh Cherry’s half-sister Titiyo (”Longing for Lullabies”). He’s produced tracks for Cyndi Lauper, remixed everyone from Mika to Roxette, and we imagine he should be expecting a call from Madonna any day now.”

Review by Towleroad